Harry Stafylakis, Composer of Singularity
Harry Stafylakis (b. 1982) hails from Montreal and is now based in New York City. “Dreamy yet rhythmic” (NY Times), with a “terrible luminosity” and “ferociously expressive” (Times Colonist), his concert music integrates idioms drawn from classical, progressive metal, and traditional Greek music.
Stafylakis is the Winnipeg Symphony Orchestra’s Composer-In-Residence and Festival Director & Co-Curator of the WSO’s Winnipeg New Music Festival. His works have been performed by the Toronto, Winnipeg, Vancouver, Edmonton, Victoria, Spokane, Stamford, PEI, and FSU symphonies, American Composers Orchestra, McGill Chamber Orchestra, ICE, Contemporaneous, Mivos Quartet, Quatuor Bozzini, Aspen Contemporary Ensemble, Nouveau Classical Project, mise-en, Cadillac Moon Ensemble, Lorelei Ensemble, and American Modern Ensemble. He has been featured at the NY Philharmonic Biennial, Aspen Music Festival, Winnipeg New Music Festival, and the Montreal International Classical Guitar Festival.
His awards include the Charles Ives Fellowship from the American Academy of Arts and Letters, the ASCAP Foundation’s Leonard Bernstein Award, four SOCAN Foundation Awards for Young Composers, and grants from the Canada Council for the Arts, NYSCA, and New Music USA. He serves on the board of directors of GroundSwell (Winnipeg) and the interdisciplinary curatorial panel of I-Park Foundation (CT), is an Associate Composer of the Canadian Music Centre, and a founding member of the NYC composer collective ICEBERG New Music.
Upcoming projects include new works for the Winnipeg and Ottawa symphonies, Hard Rubber Orchestra, Periapsis Music and Dance, Mivos Quartet, and pianist Jenny Lin.
Stafylakis holds degrees from McGill University and The Graduate Center, CUNY, and lectures at the City College of New York. His doctoral research, supported by the Social Sciences and Humanities Research Council (SSHRC) of Canada, examines the conception of rhythm and meter in progressive metal.