Machines & Myths
PROGRAMME
William Tell Overture
Gioachino Rossini (1792-1868)
Machines, Mannequins and Monsters
1. Study for Man and Machine, 1921
2. Articulating Mannequin, 1931
3. Humanly Impossible, 1932
Kelly-Marie Murphy (b. 1964)
INTERMISSION
Symphony No. 15 in A major, Op. 141
1. Allegretto
2. Adagio - Largo - Adagio - Largo
3. Allegretto
4. Adagio - Allegretto - Adagio - Allegretto
Dmitri Shostakovich (1906-1975)
MUSICIANS
Mélanie Léonard, Conductor
VIOLIN 1
Erica Miller
Ellen Allers
Hanna Williamson
Galina Rezaeipour
Alana Gralen
Justin Azerrad
Adam Nelson
Gabi Nowicki
Solange Tremblay
Alison Black
Alireza Tarviji
VIOLIN 2
Sarah Williams
Matthieu Deveau
George Stathopoulos
Micheline Kinsella
Aaron McFarlane
Alla Perevalova
Mariana De La Cruz
Philippe Lafleur
VIOLA
Paul Casey
Emily Kistemaker
Ryan Vis
Benjamin Johnson
Shannon Mardan
Rachel Cho
CELLO
Thaddeus Morden
Jean-Francois Marquis
Olena Gapey
Erin Pickering
Gabriela Ruiz
Natalie Wong
BASS
Paul Mach
Dominic Gauthier
Andrew Roberts
Peter Kilpatrick
Mark Trecarten
FLUTE
Jeffrey Miller
Lara Deutsch
Pascale Margely
OBOE
Susan Butler
Marat Mulyukov
CLARINET
Shauna Barker
Ludovik Lesage-Hinse
BASSOON
Ben Glossop
Orlando Corabian
HORN
Nigel Bell
Jennifer MacDonald
Cresta deGraaff
Éric Gagnon
TRUMPET
Travis Mandel
Alastair Chaplin
TROMBONE
Léonard Pineault-Deault
Nicolas Blanchette
Leonard Ferguson
TUBA
Martin Labrosse
CELESTA
Frédéric Lacroix
TIMPANI
Dominique Moreau
PERCUSSION
Andrew Harris
Nathaniel Mears
Jackson Kelly
Mateen Mehri
Hugo Cayen
Mélanie Léonard
Conductor
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Born in Montreal, Mélanie Léonard is the music director of Symphony New Brunswick and Assistant professor of instrumental conducting at McGill University’s Schulich School of Music, where she also conducts the McGill Contemporary Music Ensemble. She was resident and associate conductor of the Calgary Philharmonic Orchestra and Music Director of the Sudbury Symphony Orchestra.
As a guest conductor, she worked with many prestigious institutions including the Montreal Symphony Orchestra, the Toronto Symphony Orchestra, Les Violons du Roy, Orchestre Metropolitan, the National Arts Center Orchestra and Orquestra Sinfônica Municipal de São Paulo in Brazil.
Ms. Léonard conducted orchestras on soundtracks for Aura (Montreal Notre-Dame Basilica, Paradise City (South Korea) and for Cirque du Soleil’s Land of Fantasy (Hangzhou, China).
Over the course of her career, she founded three music organizations dedicated to contemporary music: Prima Ensemble, Wild West New Music Ensemble and the Calgary New Music Festival.
During the 2024-2025 season, Maestra Léonard is returning to the Ottawa Symphony Orchestra and will conduct the première of Songs of the Drowning by Iranian-Canadian composer Roozbeh Tabandeh with Ensemble Paramirabo and Chants Libres.
Ms. Léonard was the first woman to complete a doctorate in orchestra conducting at University of Montreal. In 2012, she received the Canada Art Council’s Jean-Marie Beaudet award for orchestral conducting.
SHHH!! Ensemble
Zac Pulak, percussion & Edana Higham, piano
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SHHH!!… a powerful utterance designed to draw attention forward… creating space and awareness… opening ears to something important.
Percussionist Zac Pulak and pianist Edana Higham are the SHHH!! Ensemble, described as “truly virtuosic and intense” (Confluence Concerts) and “a beautiful discovery” by the Société de musique contemporaine du Québec. Their appetite for collaboration and experimentation has led to bold new works written for them by John Beckwith, Frank Horvat, Jocelyn Morlock, Mari Alice Conrad, Monica Pearce and more.
In February 2023, SHHH!! Ensemble “enthralled” (Winnipeg Free Press) as soloists in the world premiere of Kelly-Marie Murphy’s concerto “Machines, Mannequins, and Monsters” with the Winnipeg Symphony Orchestra. Other world premieres include JUNO-winning composer Jocelyn Morlock’s Spirit Gradient with the Tuckamore Festival in Newfoundland, and Noora Nakhei’s “Echoes of the Past” for the Ottawa International Literary Festival. Across the country, their performances at the Open Ears Festival, LUMINA, the Tuckamore Festival, Ottawa Chamberfest, the Banff Centre, and for the National Arts Centre captivate audiences and critics with their “avant-accessible” approach, calling them “inspiring” and “inventive”.
SHHH!! Ensemble’s debut album Meanwhile (Analekta), nominated for Classical Recording of the Year at the 2023 East Coast Music Awards, was released in October 2022 to critical acclaim, reaching top positions on Apple Music and Spotify playlists. In the fall of 2023 they will release their 2nd CD, a large-scale commission by Toronto composer Frank Horvat on the Leaf Music label, titled “An Auditory Survey of the Last Days of the Holocene.”
PROGRAMME NOTES
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Machines, Mannequins, and Monsters is a double concerto for piano and percussion, and was written for Edana Higham and Zac Pulak. It is in three attacca movements. The title comes from an exhibit at the Museum of Modern Art in New York, which explores how artists interpreted the fast-paced technological changes in the first few decades of the 20th century through the three motifs in the title. It was a juxtaposition of good and bad, real and surreal.
The first movement opens quietly and tentatively balancing low rumbles with metallic sounds. It explores colour and gesture. The movement ends with a very mechanical, clock-like section, with fragments of melody overlapped. The second movement is a cadenza for the soloists. It is eerie and unsettling. In it, the percussionist is asked to create sounds and resonance inside the piano. The last movement is is loud, fast, rhythmic, and powerful. It expends all its energy and ends quietly yet unsettled.
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SPONSORS
Thank you to our partners & sponsors for making this event possible.
Administration
STAFF
Mathieu Roy, Orchestra Administrator
Vicente García, Personnel & Production Manager
Jacqueline Lee, Stage Manager
Michael Goodes, Front of House Technician
BOARD OF DIRECTORS
Bernie Etzinger, President & Chair
Tayler Farrellt, Corporate Secretary
Ada Kwok, Treasurer
Venassa Baptiste, Assistant Treasurer
Alexis Nickson, Director
Fiona Charlton, Director
Lara Deutsch, Musicians' Representative (Ex-Officio)
Jean-François Marquis, Musicians' Representative (Ex-Officio)
Ottawa Symphony Orchestra
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