A Day at the Farm

PROGRAMME

Symphony No. 83 “La Poule” (Movement I)
Franz Joseph Haydn

A Day at the Farm
Yvonne Gillespie

The running time is approximately 75 minutes with no intermission

Join us after the performance for complimentary ice cream for all children, generously provided by The Merry Dairy.


MUSICIANS

Henry Kennedy, Conductor

VIOLIN 1

Hanna Williamson

Ellen Mead

Galina Rezaeipour

Alana Gralen

Solange Tremblay

Alison Black

VIOLIN 2

Sarah Williams

George Stathopoulos

Micheline Kinsella

Carolyn Ho

Alla Perevalova

Mariana De La Cruz

VIOLA

Paul Casey

Benjamin Thomas Johnson

Emmanuelle Lambert-Lemoine

Shannon Mardan

CELLO

Anthony Bacon

Gabriela Ruiz

Grace Morningstar

BASS

Paul Mach

Andrew Roberts *

Vicente Garcia

FLUTE

Jeffrey Miller

Pascale Margely

OBOE

Susan Butler
Marat Mulyukov

CLARINET

Shauna Barker

Carina Canonico

BASSOON

Ben Glossop

Orlando Corabian

Joey Smith

HORN

Nigel Bell

Jennifer MacDonald

TRUMPET

Travis Mandel

Yip de Brujin

TROMBONE

Justin Mclean

Leonard Ferguson

TUBA

Martin Labrosse

TIMPANI

Andrew Harris

PERCUSSION

Dominique Moreau

Alex Young

Mateen Mehri


Henry Kennedy

Conductor

  • Dynamic young British-Canadian conductor Henry Kennedy has demonstrated his facility for moving seamlessly between the opera house and the concert stage with an array of international credits.

    He is currently the inaugural Resident Conductor of Canada’s National Arts Centre Orchestra (NACO) in Ottawa; has served as Resident Conductor for Poland’s Wrocław Opera; and conducted Riccardo Muti’s Orchestra Cherubini in a new production of Tosca in Puccini’s birthplace to celebrate the 2024 centenary of the composer’s death, when Corriere Fiorentino declared him to be “the revelation in this Tosca.” He has also collaborated as an assistant conductor – across multiple orchestras – with Sir Simon Rattle and Sir John Eliot Gardiner, among many other luminaries, and in 2025 was ranked by the CBC, Canada’s public broadcaster, among “30 under 30” notable Canadian classical musicians.

    Kennedy is especially adept at building lasting relationships with both conductors and institutions. He works in close collaboration with Music Director Alexander Shelley at the NACO and collaborated with artistic director Mariusz Kwiecień and music director Bassem Akiki at Poland’s Wrocław Opera, also leading his own programs at both institutions. In recent seasons he has been brought back to Poland for two separate productions and will return again in 2027.

    In addition to Gardiner and Rattle, Kennedy has been assistant to Marin Alsop, Sir Mark Elder, Edward Gardner, Hannu Lintu, Jukka-Pekka Saraste, and John Storgårds. He has also enjoyed mentoring relationships with Christian Thielemann and Richard Bonynge and has had an ongoing relationship with Riccardo Muti since his 2021 participation in Muti’s Italian Opera Academy.

Yvonne Gillespie

Composer, Narrator

  • Yvonne began her musical career as a pianist following her studies at the University of Alberta in Edmonton, Alberta. At age thirty, she embarked on music composition, and completed a degree in composition at the University of Victoria, studying with Christopher Butterfield and graduating in 1994 with distinction. She continued her compositional studies at the University of British Columbia completing a Master in Music in 2005 after working with both Stephen Chatman and Keith Hamel. She has also studied composition on several occasions privately with Canadian composer, Malcolm Forsyth. After pursuing Doctoral studies in theory at the University of British Columbia, Yvonne decided to discontinue her theoretical studies so as to focus solely on composition.

    Yvonne’s distinct and interesting musical style is garnering her recognition as one of Canada’s premier emerging composers. Her extensive portfolio includes numerous works for orchestra, chamber ensembles, and solo piano while performances of her music have been heard across Canada and the United States, including radio broadcasts by the CBC. Recently she was commissioned by the Canadian Music Centre to compose one of a collection of five choral works for the 150th Anniversary of BC. The resulting choral works have been performed several times in both Vancouver and Victoria during November, 2008 and January, 2009. In addition, several of her orchestral works have been read by Canadian orchestras including Endless, which was read by the Vancouver Symphony during the Jean Coulthard Orchestral Readings in March 2005. She also participated in both the Vancouver and Victoria Symphony’s 2004 Orchestral Readings. Several leading Canadian ensembles have commissioned works by Yvonne and she has been the winner of the Murray Adaskin Composition Competition. Yvonne has also been the guest composer with the Windsor Symphony Orchestra during both their 1999 and 2000 Canadian Music Festivals.

    With a desire to share her music with young children, Yvonne formed a musical trio in 1986 to perform her original stories and music. The ensuing popularity of her material prompted her to orchestrate these works which are now performed frequently in the children’s series of Canadian orchestras, including past performances by Vancouver and Calgary Symphony Orchestras. In 2005, the Kamloops Symphony Orchestra presented three concerts of her complete children’s program called “A Day at the Farm”.

    Yvonne lives with her husband on Vancouver Island, in British Columbia, Canada.

PROGRAMME NOTES

  • The second of the Paris Symphonies, and the only one set in a minor key, is Symphony No. 83 in G minor. Although not given by Haydn, it earned the nickname, La Poule, or “The Hen” after the first movement’s clucking, pecking second theme, which is played by the oboe. Marked Allegro spiritoso, the first movement begins with a stormy, declarative statement, punctuated with sforzandos and interrupted by dramatic pauses. The arrival of the second theme breaks the tension and replaces it with comedy. Commenting on the Paris Symphonies, Charles Rosen aptly wrote, “There is not a measure, even the most serious, of these great works which is not marked by Haydn’s wit; and his wit has now grown so powerful and so efficient that it has become a sort of passion, a force at once omnivorous and creative.” Haydn once again takes us on a turbulent ride during the development section, only to conclude the movement in a blazing G major.

    Program note excerpt by Timothy Judd, The Listener’s Club

  • Music and Stories by Yvonne Gillespie

    Poetry by Peter Gillespie

    The concert begins with a lively PRELUDE full of foot-

    stomping rhythms to help jump-start the children’s

    musical imaginations as they begin their day at the

    farm. This is a clever set of variations on, you

    guessed it, Old McDonald Had a Farm!

    The story of HENRIETTA, the Cow follows and the

    children will love her laughable antics as she paints

    the rumps of the other farm animals blue.

    Cluck, cluck, what do you hear? Listeners have an opportunity to guess that the animals being

    described in a short piece of music are chickens.

    Look up, way up, and watch the HULLABALOO in the Clouds. Delightfully descriptive poetry and music

    will let the listeners’ minds soar as they imagine many different farm animals up in the clouds. But watch

    out, for these farm animals are creating quite a ruckus.

    Next, the children will enjoy hearing a flock of sheep grazing in the pasture.

    Did they hear the wind rustling through the fields?

    Then along comes the amusing story of CLYDE, The Horse who can’t seem to keep out of trouble when

    he visits an old town out West. During this interactive story, the music can be complemented by eight

    budding musicians who play some very unusual instruments out in front of the orchestra (no previous

    musical experience necessary and instruments provided by the composer).

    It has really been an exciting day at the farm but before everyone heads home they get to clap and stomp

    to the arousing FINALE which finishes the show with a holler!

SPONSORS

Thank you to our partners & sponsors for making this event possible.

Administration

STAFF

Mathieu Roy, Orchestra Operations Manager
Vicente García, Personnel & Production Manager
Jacqueline Lee, Stage Manager
Michael Goodes, Front of House Technician

BOARD OF DIRECTORS

Bernie Etzinger, President & Chair
Tayler Farrellt, Corporate Secretary
Ada Kwok, Treasurer
Venassa Baptiste, Assistant Treasurer
Alexis Nickson, Director
Fiona Charlton, Director
Lara Deutsch, Musicians' Representative (Ex-Officio)
Jean-François Marquis, Musicians' Representative (Ex-Officio)


Ottawa Symphony Orchestra
(613) 231-7802 | info@ottawasymphony.com
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